Eurydice met opera review. ” Photo: Marty Sohl / Met Opera.
Eurydice met opera review Countertenor Jakub Josef Orlinski and baritone Joshua Hopkins portray the two aspects of Orpheus together in this production: Here is a video of Mr. His mentors at Harvard included Jorie Graham and Helen Vendler. 15, the audience is plunged It seemed appropriate that after the first performance of Matthew Aucoin’s opera Eurydice at the Met, conductor Yannick Nézet-Séguin led the entire orchestra onstage to take a bow. Eurydice is frustrated that Orpheus’s mind always seems to be elsewhere. Ruhl’s play, on which her libretto is based, was created during a period in Both singers had excellent outings at the Met earlier this year, Villalón in “Orfeo ed Euridice” and Mack in “El Niño. Production by Mark Morris, Metropolitan Opera, conducted by James Levine. Soprano Ying Fang is his ill-fated bride, with soprano Elena Villalón in her company debut as Amore, the god of love who sets Orfeo on his quest. Eurydice premiered at the Met in 2021. It felt tighter and more persuasive here, and Erin Morley’s richly varied soprano gave the title character more depth and poignancy than Danielle de Eurydice, Aucoin's fifth opera, is an odd, remarkable and imminently enjoyable piece of work. On December 4, Eurydice will be screened in The Met: Live in HD series and Opera Reviews from The Opera Critic. While attending Medfield High School, [10] Aucoin was the keyboardist in an indie rock band, Elephantom. Conductor Mark Wigglesworth returns to the Met for the first time since 2006 to lead Gluck’s elegant score . Discover showtimes, read reviews, watch trailers, and find streaming options for The Metropolitan Opera: Eurydice. 2008–09 Season This performance is Eurydice—probes the deepest questions of desire, grief, and the power (and limits) of art. Based on the composer’s 1762 Vienna version of the score, the spirited staging, which Morris choreographed as well as directed, blends captivating choreography with superb singing in librettist Ranieri de’ Eurydice runs Nov. ” Mark Morris’ production gave the classic work a staging that, while at times veering towards the abstract, remained consistent to its artistic vision and true to its source material. Soprano Elena Villalón makes her network broadcast debut as the god Amore, and J. It also uses some variation of the word “frustrating” a lot. [11] He attended Harvard College, where he studied poetry, graduating summa cum laude in 2012. Eurydice is based on the 2003 stage play by playwright Sarah Ruhl, also a MacArthur Fellow, who adapted it for her libretto. Orfeo ed Euridice is a popular production, having returned to The Metropolitan Opera several times over the years. Performance credits (Cast & Crew (Credit: Marty Sohl / Met Opera) On Nov. In ‘Unknown,’ a composer and a poet offer new perspectives on war and 100 (Credit: Karen Almond / Met Opera) Back in 2017, The Guardian meditated on why, despite being one of the world’s greatest plays, “Hamlet” had no great corresponding operatic adaptation. (You can watch the Met production — directed by Mary Zimmerman, who knows something Discover the captivating story of Eurydice at Boston Lyric Opera, showcasing the company's commitment to delivering exceptional performances. Live Audio Recording. Rod Gilfry as Eurydice’s Father. Historically speaking, as the first of Every major opera company in the world has some version of it. The opening sequence, set in a town inspired by Giorgio de Chirico’s metaphysical Meet a chorus of stones, a tiny tyrant on a hobby horse, and a river that makes you forget your own name. Will our heroine Eurydice be doomed to an eternity in this topsy-turvy land of the dead? Orchestra of Opera North’s Viennese Whirl – Huddersfield Town Hall Drama London Review Eurydice – Jermyn Street Theatre, London Reviewer: Jane Darcy The Reviews Hub London is under The three acts of Orfeo ed Eurydice only last for around 90 minutes and a fair proportion of that time is spent in dance that often brings to mind Matisse's Dance series of paintings. Find The Metropolitan Opera on Facebook (opens new window) Find The Metropolitan Opera on Twitter (opens new window) Find The Metropolitan Opera on Instagram (opens new window) At all turns, director Mary Zimmerman’s staging (carried over and upgraded from the opera’s original production by L. Nézet-Séguin; Morley, Orlinski, Banks, Hopkins, Berg The Metropolitan Opera Orchestra and Chorus. It had its premiere at the Los Angeles Opera on February 1, 2020, with Aucoin conducting. The myth of Orpheus—who takes a perilous quest into the Underworld to rescue his beloved, Eurydice, only The film opens with the joy of a wedding day, only to take a tragic turn when Eurydice (Maria Battistelli) is killed and abducted by Mephistopheles (Erwin Schrott). But Orpheus surprises her; he playfully ties a string around her finger to remind her of their Recently in Reviews English Touring Opera are delighted to announce a season of lyric monodramas to tour nationally from October to December. In the Vienna version, the role of Orfeo was written for a castrato whereas, in Paris, it was taken by a counter-tenor. The Metropolitan Opera Educator American poet and playwright Ruhl (who also wrote the book for A Face in the Crowd, currently playing at the Young Vic, and In the Next Room or the vibrator play) has twice been a finalist for the Pulitzer Prize for Drama and turned this play into the libretto for Matthew Aucoin’s opera performed at the Met and Los Angeles Opera. Orfeo wore brilliant red, Eurydice brilliant blue, and Amore image_description=Kate Royal as Euridice [Photo by Marty Sohl courtesy of Metropolitan Opera] product=yes product_title=Christoph Willibald Gluck: Orfeo ed Euridice product_by=Orfeo: David Daniels; Euridice: Kate Royal; Amore: Lisette Oropesa. Aucoin. ‘Eurydice’ Review: An Ancient Tale Told Anew. Streaming HD video of a live performance at the Metropolitan The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. . ” Ken Howard / Met Opera “Eurydice,” an opera composed by Matthew Aucoin, written by Sarah Ruhl, and directed by Mary Zimmerman, premiered February 1, 2020 at the LA Opera with the express intent of giving musical voice to Eurydice’s forgotten narrative. Based on the composer’s 1762 Vienna version of the score, the spirited staging, which Morris choreographed as well as directed, blends captivating choreography with superb singing in librettist Ranieri de’ product_title=Christoph Willibald Gluck: Orfeo ed Euridice product_by=Orfeo: Stephanie Blythe; Euridice: Danielle de Niese; Amor: Heidi Grant Murphy. With a The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Coinciding with the Met premiere of Eurydice, the company presents American Opera at the Met, an exhibition currently on display in Founders Hall and throughout the opera house. They get married. Performance of Last seen at the Met in 2019, Mark Morris’ dance-intensive production of Gluck’s Orfeo ed Euridice is back for its fifth revival, looking and sounding as fresh as ever. Reviews; Commentary; Home. The opera premiered last year at the Los Angeles Additionally, it introduces a pivotal new figure in the form of Eurydice’s deceased father. Eurydice. Faust (0) 1 Video 7 Audio. And there was a lot to like about 'Eurydice', which is a modern take essentially on the Greek legend (Credit: Karen Almond / Met Opera) Back in 2017, The Guardian meditated on why, despite being one of the world’s greatest plays, “Hamlet” had no great corresponding operatic adaptation. 80 Members Janácek: The Excursions of Mr. They have never amused me much, I must admit, especially when they are not part of the plot Soprano Elena Villalón makes her network broadcast debut as the god Amore, and J. product_id=Above: Stephanie Blythe as Orfeo. The first words out of the protestor’s mouth were This ancient tale of the attempt to bring love back from the afterlife forms the basis of the myth of Orpheus and Eurydice, and Christoph Willibald Gluck’s 18th century opera, given a stunningly beautiful interpretation by director John Neumeier and a joint effort from the Lyric Opera of Chicago and Joffrey Ballet Chicago. Date: ca. Revered as an unrivaled musician, Orpheus ventured to the Underworld to reclaim his wife Eurydice after she died from a snakebite. In 1762, working closely with librettist Ranieri de’ Calzabigi, choreographer Gasparo With the original “Eurydice,” which included a full orchestra and was commissioned by the bicoastal powers of Los Angeles Opera and the Metropolitan Opera, the Medfield-raised Aucoin (son of Morley, Hopkins and Orlinski. C. Erin Morley in the title role of ‘Eurydice’PHOTO: MARTY SOHL/METROPOLITAN OPERA By Heidi Waleson Nov. What's on Reviews Articles Video Site Young artists Travel More. Support for Met Opera on Demand is provided by the Ting Tsung and Wei Fong Chao Foundation and Read our review of Mark Morris' production of Gluck's Orfeo ed Euridice in its 2009 broadcast from the Met Opera in New York. Chinese soprano Meigui Zhang, who had performed the principal role of Bai Yu in the 2022 revival of Sheng’s and Hwang’s “Dream of the Red Chamber” [Review: A Pleasing Revival of “Dream The Metropolitan Opera’s new staging of the work by composer Matthew Aucoin and librettist Sarah Ruhl refreshes the familiar. Never mind that Wolfie had died at the age of 35 with 22 operas on the scoresheet. Based on the composer’s 1762 Vienna version of Eurydice is based on Sarah Ruhl’s 2003 play of the same name. 23, 2021, the Metropolitan Opera is set to present the company premiere of Matthew Aucoin and Sarah Ruhl’s “Eurydice. ACT I Orpheus and Eurydice, young and in love, are on a beach. The exhibition chronicles the history of homegrown opera at the Met, from the company’s early efforts to develop an American Read our review of Mark Morris' production of Gluck's Orfeo ed Euridice in its 2009 broadcast from the Met Opera in New York. "Orfeo ed Euridice" will be heard live over the Robert K. November. Soprano Ying Fang is his ill-fated bride, with soprano Elena Villalón in her company debut as Amore, the god of love who sets Orfeo on his quest. “Eurydice,” an opera composed by Matthew Aucoin, written by Sarah Ruhl, and directed by Mary Zimmerman, premiered February 1, 2020 at the LA Opera with the express intent of giving musical voice to Eurydice’s forgotten narrative. What it depicts: Like the story of Orpheus and Eurydice, the story of Persephone is one of the rare stories in ancient Greek myth about someone returning from the Underworld. Johnson Foundation-Metropolitan Opera International Radio Network at 1:00 p. Eugene McDermott Music Director Emmanuel Villaume, this interactive 25-minute lecture begins one hour before the start of each opera in the Margaret McDermott Performance Hall. m. And those unable to do it, find other ways to emulate it. The article notes that despite there being about 40 actual operatic adaptations, none have stood the test of time or held the stage. But she’s not particularly happy at her wedding party so she rushes off to get some water, running into Hades himself, who tricks her into following him to the underworld. Theatre review of Orfeo ed Eurydice (Christoph Willibald Gluck, libretto by Ranieri de' Calzabigi) at Metropolitan Opera House, New York - reviewer: Philip Fisher. Metropolitan Opera 2024-25 Review: Tosca (Cast C) Jan 13, 2025 American Modern Opera Company & The The 91st Metropolitan Opera performance of Christoph Willibald Gluck’s Orfeo ed Euridice Orfeo ed Euridice is performed without intermission. Matthew Aucoin and Sarah Ruhl’s new opera Eurydice, which premiered at LA Opera in 2020 and opens at the Met this fall, turns the classic myth on its head. There is nothing symbolic in her search for Orfeo’s eyes; indeed, it was almost physical confrontation. Asselin is a frequent performer with the Met Opera, and maintains a busy schedule as both an operatic singer and guest soloist In 2015, the composer Matthew Aucoin emailed the playwright Sarah Ruhl to ask whether she would be interested in working with him on a new opera inspired by the Orpheus myth. Share. OPERA BEHIND THE SCENES Watch this video to hear more about the origins of the premiere of Eurydice at The Metropolitan Opera in 2021: Matthew Aucoin, Sarah Ruhl, and Mary Zimmerman on Eurydice Matthew Aucoin: Eurydice, Libretto by Sarah Ruhl: Directed by Gary Halvorson. The UK’s Jo Davies, just arrived to take up the Artistic Director post, will surely have noted the local talent on offer, for Dane Lam also directs the State Opera of South Australia. Brilliant American composer Matthew Aucoin now carries that tradition into the 21st century with a captivating new take on the story—a product of the Met’s commissioning program. The Exterminating Angel (0) 1 Video . La Fanciulla del West (0) 3 Video . of reviews: 9: At the Met, a revival of Orfeo ed Euridice preserves wit and limited pathos. 16 at the Metropolitan Opera, 30 Lincoln Center Plaza, New York City. Photo: Marty Sohl/Met Opera. Opera in February, 2020, just before COVID shut performances down, and its arrival at the Met was supposed to take place last year. [68] Eurydice-Erin Morley as Eurydice, Joshua Hopkins as Orpheus, Jakub Józef Orliński as Orpheus's double, Barry Banks as Hades, Nathan Berg as Eurydice's father, conducted by Yannick Nézet-Séguin. Watch Now One of opera’s most awesome scores came, finally, to the the War Memorial Opera House stage, arriving with flying colors in stage director Matthew Ozawa’s fine new, bigtop-like production. August. The opera premiered last year at the Los Angeles A scene from the Metropolitan Opera's production of Christoph Willibald Gluck's “Orfeo ed Euridice. 00 Our Price $46. With a Met Opera on Demand. He and Ruhl concoct some genuinely funny, with awkwardly stiff disco dancing at Eurydice and Orpheus’s wedding In 2022, Maria-Cristina was awarded a New York Press Club Award in the Critical Arts Review category for her review of Matthew Aucoin's "Eurydice" at the Metropolitan Opera, published on Woman Around Town. With a Gluck: Orfeo ed Euridice/Podles. Robert Levine Artistic Quality: 7 Sound Quality: 7 This is a good Orfeo, an amalgam of the original (1762) version and later, attractive additions. Repertory. ” (Encouragingly, the Met, after nearly a century without a Spanish Eurydice is an opera composed by Matthew Aucoin with a libretto by Sarah Ruhl based on her 2003 play of the same name, a retelling of the legend of Orpheus and Eurydice. One detail, downplayed but very In 2015, the composer Matthew Aucoin emailed the playwright Sarah Ruhl to ask whether she would be interested in working with him on a new opera inspired by the Orpheus myth. Photo: Cory Weaver/San Francisco Opera As soon as the curtain rises on the magnificently potent new production of Gluck’s “Orpheus and Eurydice” that opened at the San Francisco Opera on Tuesday, Nov. So potent was his singing and lyre-playing that Hades was This myth nominally undergirds Eurydice — a sparsely staged, surreal opera by composer Matthew Aucoin and librettist Sarah Ruhl — which had its world premiere in 2020 at the Los Angeles Opera and on November 23 The Met’s new production of Matthew Aucoin’s Eurydice with libretto by Sarah Ruhl (based on her 2003 play of the same name) is a fresh, whimsical, and simple love that I saw “Eurydice” at its world premiere at the LA Opera in February 2020. New York, NY (October 15, 2019)—Gluck’s Orfeo ed Euridice, an operatic fable about the power of music, returns to the Metropolitan Opera for the first time since 2011 for seven performances beginning October 20, 2019. Orpheus's Double in Eurydice. Performance of January 20. The story is the subject of opera’s oldest surviving score Terracotta bell-krater (bowl for mixing wine and water) Attributed to the Persephone Painter. Falstaff (0) 3 Video 8 Audio. What's on. Orfeo ed euridice met opera review 2009 Whether you are an opera historian, fashionista, dancer, or just a fan of top-notch singing and musicianship, Mark Morris’ brilliant realization of Orfeo ed Euridice, conducted by the imitable James Levine and with set design by Allen Moyer, is not to be missed. Eurydice, Aucoin's fifth opera, is an odd, remarkable and imminently enjoyable piece of work. Eurydice is only available with a Met Opera on Demand subscription or rental. Benjamin Bernheim Rules as Met’s Hoffmann Metropolitan Opera House, Lincoln Center, NY; Oct 24, 2024 Offenbach’s Tales of Hoffmann is a nasty work ACT I Orpheus and Eurydice, young and in love, are on a beach. A disarming and intimate new arrangement conducted by composer Matthew Aucoin, Eurydice is a resonant story of love’s beauty and brutality – and the power of music to find us in the dark. Instead, this Eurydice is a vibrant individual with hopes, Email Signup. Metropolitan Opera 2024-25 Review: La Bohème. NEW YORK — For a trip to hell and back, the Metropolitan Opera’s season-closing revival of Christoph Willibald Gluck’s “Orfeo ed Euridice” is journey full of pleasures. And it’s also the reason why this opera ultimately is so disappointing. This is the context in which Aucoin’s Eurydice made its Metropolitan Opera debut Tuesday night. Met Opera on Demand. In addition to reviews of current productions from around the world there are over 50,000 reviews in our archive. Its thought provoking 80-minute run time packs a punch, ending with a Shakespearean wallop, yet leaves Here is an excerpt from the Eurydice production at the Met. David Jackson leads the Met orchestra and chorus in Gluck’s expressive, elegant, and moving score. Admission is free with your ticket to a Dallas Opera The first big American opera event of the year is the premiere of composer Matthew Aucoin’s “Eurydice,” a co-commission with the Metropolitan Opera. ” Gluck’s sublime setting of the ancient tale returns to the Met stage this spring, enlivened by exuberant choreography from the legendary Mark Morris and featuring members of his renowned dance group. The season features music for solo singer and piano by Argento, Britten, Tippett She used her tone to create an Eurydice that is less an ideal of a woman, and more of a real figure who therefore has much charisma—she is warm, but also has dramatical urgency. Orpheus (Valentino Buzza) embarks on a quest to reclaim her, aided by cheeky taxi driver Charon (Vincent Cassel). NEW YORK — For a trip to hell and Opera Review ‘Eurydice’ Review: An Ancient Tale Told Anew The Metropolitan Opera’s staging of the work by composer Matthew Aucoin and librettist Sarah Ruhl refreshes the familiar. 440 B. Countertenor Anthony Roth Costanzo and sopranos Ying Fang and Elena Villalón star in legendary choreographer Mark Morris’s breathtaking production of Gluck’s sublime setting of the ancient tale. Directed by Mary Zimmerman. Reviews. 99. News; Reviews; Commentary; Home. Eurydice had The 108th Metropolitan Opera performance of orfeo ed CHRISTOPH WILLIBALD GLUCK’S euridice Orfeo ed Euridice is performed without intermission. Email Signup. Explore cast details and learn more on Moviefone. World premiere: LA Opera, 2020 Orpheus is almost the archetypical operatic tale, and composers throughout history have adapted it for the operatic stage. OPERA NEWS, COMMENTARY, AND REVIEWS FROM AROUND THE WORLD. Its thought provoking 80-minute run time packs a punch, ending with a Shakespearean wallop, yet leaves Explore Orfeo ed Euridice, Christoph Willibald Gluck, a 16 May - June 8 2024 production by The Metropolitan Opera Get performance details, watch videos, view photos and more on Operabase. They began as experimental productions in late 16th century Italy. 2023–24 season. ET on Saturday, June 8. Dancers in Gluck’s “Orfeo ed Euridice. Unlike in most Orpheus operas, the main aria here goes to Eurydice (the soprano Erin Morley), gently bemoaning the pain of loving an artist: “Inside his head there is always something more The opera’s plot starts off simple enough. (2024/2024), Directed by Mark Morris, Conductor J David Jackson, Metropolitan Opera House, New York City, United States. In Ruhl and Aucoin’s clever retelling, the story is refreshed by weaving in a few twists and by inventively combining elements of both comedy—sometimes to the point of caricature—and drama, but drama that truly pulls at the Verdi: Don Carlo – Live Recording from 1970 (3-CD) – Franco Corelli $42. Talk about 'spoiler alerts,' there was a big one for me early in the opera, EURYDICE, by Matthew Aucoin to a libretto that he and Sarah NEW YORK — For a trip to hell and back, the Metropolitan Opera’s season-closing revival of Christoph Willibald Gluck’s “Orfeo ed Euridice” is journey full of pleasures. Learn more about on demand. All events Concerts Opera Dance Kids events Masterclasses Competitions Festivals. One of Gluck’s most well-known and popular works, it Metropolitan Opera 2023-24 Review: Florencia en el Amazonas. ” Photo: Marty Sohl / Met Opera. News, reviews, features and podcast on theatre across the UK. ” In the middle of Act two of the opening night of “Tannhäuser” as Wolfram delivered his “Blick ich umher in diesem edlen Kreise,” specifically as he sang that “love is a spring to be drunk from,” an audience member started shouting from the rafters of the Met Opera auditorium. Join us for these engaging and informative pre- and post-opera discussions: Joy and Ronald Mankoff Pre-Opera Talk: Hosted by The Mrs. Exclusive music reviews and news, created specifically for classical music A product of the Met’s commissioning program. image_description=Stephanie Blythe [Photo by Ken Howard courtesy of The Metropolitan Opera] product=yes product_title=Christoph Willibald Gluck: Orfeo ed Euridice product_by=Orfeo: Stephanie Blythe; Euridice: Danielle de Niese; Amor: Heidi Grant Murphy. ” (Ken Howard/Met Opera) Review by Michael Andor Brodeur. Opera and the Met, offered a bit of novelty in its own right, introducing a Meigui Zhang’s Euridice. Metropolitan Opera chorus and orchestra, conducted by Antony Walker. Above: Stephanie Blythe as Orfeo All photos by Ken Howard courtesy of The Metropolitan Opera The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. EN. Not quite Mozart, yet. About this object: A bell-krater is a bowl for mixing water and wine. Recommended For You Filters 238 Products The play has been produced widely and was even adapted by Ruhl and the composer Matthew Aucoin into an opera. Find The Metropolitan Opera on Facebook (opens new window) Find The Metropolitan Opera on Twitter (opens new window) Find The Metropolitan Opera on Instagram (opens new window) Find The Metropolitan Opera on YouTube (opens new window) WARNING: This review features explicit language. Sarah Ruhl’s libretto relays the story through a fusion of dark Sarah Ruhl’s 2003 play Eurydice not only brings the title character out of the shadows of the myth to center-stage, but adds a crucial character – her deceased father – to its protean, poetical and at times whimsical meditation on love, loss and remembrance. Ballet is to early opera, especially French opera, what palate cleansers or amuse-bouches are to high falutin’ restaurants. Just a few streets down from the Lyric, where Eurydice and Orpheus fall in love every night in Anaïs Mitchell’s musical, Jermyn Street Theatre focuses on the myth’s tragic heroine with Sarah Tenor Colin Ainsworth as Orpheus in Act One of Gluck’s Orpheus and Eurydice (Photo: Bruce Zinger) Opera Atelier, Asselin is a frequent performer with the Met Opera, and maintains a busy schedule as both an Yaron Lifschitz’s production of Handel’s Orpheus & Eurydice for Opera Australia, which premiered at the Sydney Opera House on Friday, is an eye-opener. We were to meet Mozart. Recordings Redbox Reviews. Orfeo: Stephanie Blythe; Euridice: Danielle de Niese; Amor: Heidi Grant Murphy. That quotidian expression perfectly encapsulates, in the context of the climax and at large, the frustration of experiencing this new The play has been produced widely and was even adapted by Ruhl and the composer Matthew Aucoin into an opera. Orfeo ed Euridice Metropolitan Opera No. In their version, Eurydice is not merely Orpheus’s wife, a nymph whose untimely death pushes her husband to perform his most famous musical feat. Orfeo ed Euridice in San Francisco. (You can watch the Met production — directed by Mary Zimmerman, who knows something 'Fire Shut Up in My Bones' is one of the contemporary operas premiered at the Met where both the production and opera bowled me over. All photos by Ken Howard courtesy of The The dancers are woven so thoroughly into the fabric of the opera that it’s hard to remember that not every production of Orfeo ed Euridice integrates dance so thoughtfully or with such charm and vigor. This time around, in EURYDICE, the new-ish opera (2020) by Mathew Aucoin and Sarah Ruhl (based on her perfect play, according to her at least), In this version, the balance of power is Conducted by Yannick Nézet-Séguin. The earliest operas in the Western European tradition evolved from varied traditions that blended drama and music. The story is the subject of opera’s oldest surviving score Eurydice is an opera composed by Matthew Aucoin with a libretto by Sarah Ruhl based on her 2003 play of the same name, a retelling of the legend of Orpheus and Eurydice. ] LA Opera’s world premiere of composer Matthew Aucoin and librettist Sarah Ruhl’s sublime Eurydice is an optically and aurally stunning reinterpretation of the ancient Greek myth about Orpheus (Canadian baritone Joshua Hopkins) and the title character (depicted by Angeleno soprano The Opera Critic PO Box 99826 Newmarket Auckland 1149 New Zealand Nathan Berg as the Father and Erin Morley as Eurydice in Matthew Aucoin’s “Eurydice. Orpheus and Eurydice on the beach. Metopera. Broucek (2-CD) $52. All reviews Concert A renewed sense of loss is inevitable when the Metropolitan Opera revives the Mark Morris production of Gluck’s “Orfeo ed Euridice,” which was originally conceived for the superb mezzo At just 31, Aucoin has gone from rock keyboardist to Harvard poetry summa cum laude to being named a 2018 MacArthur Fellow to, currently, serving as assistant conductor at the Met, although it was Yannick Nézet-Séguin who more than ably led this production. 2014. Performance of April 29. British Theatre Guide. In Ruhl and Aucoin’s clever retelling, the story is refreshed by weaving in a few twists and by inventively combining elements of both comedy—sometimes to the point of caricature—and drama, but drama that truly pulls at the The Metropolitan Opera Orchestra, Chorus, and Ballet. Metropolitan Opera 2024-25 Review: Aida. Buy Tickets. New York, NY (May 15, 2024)—Director and choreographer Mark Morris’s production of Gluck’s Orfeo ed Euridice returns for eight performances, starting Thursday, May 16, and featuring members of the Mark Morris Dance Group. [NOTE: This review may contain plot spoilers for those unfamiliar with this 2,600 myth. The article notes that despite Gluck’s “Orfeo ed Euridice” exists in four basic versions: the Italian-language original, premiered in Vienna in 1762; Gluck‘s French revision for Paris in 1774; Berlioz’s version created for a Paris staging in 1859, and a Aucoin was born and raised in the Boston area. Dec 29, 2024 NEW YORK — For a trip to hell and back, the Metropolitan Opera’s season-closing revival of Christoph Willibald Gluck’s “Orfeo ed Euridice” is journey full of pleasures. 23 to Dec. Orlinski I found a few years ago on YouTube which made me originally very curious about this beautiful Polish, breakdancing countertenor! Nathan Berg as the Father and Erin Morley as Eurydice in Matthew Aucoin’s “Eurydice. 80 Members Wagner: Parsifal (4 CD) – Andreas Schager, Elina Eurydice premiered at the Met in 2021. With a Orpheus's Double in Eurydice, 2021. org . ” Aucoin will make history as the youngest composer to have a Met premiere since 1938. Tickets For Orfeo ed Euridice At The Met Opera Available Now With incredible set designs and outstanding costumes, the Metropolitan Opera is transformed and audiences are taken back to 1700s Greece. Opera) seems concerned with foregrounding the humanity of Eurydice’s This is the context in which Aucoin’s Eurydice made its Metropolitan Opera debut Tuesday night. "The ancient Greek myth of Orpheus, who attempts to harness the power of music to save his Review by Anja BlessCurrently being presented by Opera Australia as part of Sydney Festival, is Opera Queensland’s production of Orpheus and Eurydice, in association with Circa. Ailyn Pérez, Gabriela Reyes & Nancy Fabiola Herrera’s Vibrant Turns Soar in Daniel Catán’s Glorious Operatic Love Letter. But in his evocative new opera, celebrated American American Opera at the Met Exhibition. This Season. But Orpheus surprises her; he playfully ties a string around her finger to remind her of their love, and she realizes (a little late) that he’s tied it around her ring finger, and that it’s a proposal. Orfeo ed Euridice product_by=A review by John Yohalem product_id=Arthaus Musik [Blu-Ray] 108103 price=$39. J. (Photo Credit: Ken Howard / Met Opera) On October 20, 2019, the Metropolitan Opera premiered this season’s production of Gluck’s “Orfeo ed Euridice. The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Staged at the Metropolitan Opera, New York, through December 16. The Orpheus story has been the basis for more operas than any other, but Glück’s baroque masterpiece is one of the few with a happy ending. He proposes to her. Sarah Ruhl’s libretto relays the story through a fusion of dark Prior to creating OperaWire, DAVID SALAZAR, (Editor-in-Chief) worked as a reporter for Latin Post where he interviewed major opera stars including Placido Domingo, Anna Netrebko, Vittorio Grigolo, Diana Damrau Christoph Willibald Gluck: Orfeo ed Euridice. From Jacopo Peri’s and Giulio Caccini’s Euridice (1600) [in addition to collaborating with Peri, Caccini penned his own Euridice, first performed in 1602] and Monteverdi’s L’Orfeo (1607) to Matthew Aucoin’s Eurydice, staged to considerable acclaim in the Metropolitan Opera’s 2021 – 2022 Season, Orphic subjects have been popular Last seen at the Met in 2019, Mark Morris’ dance-intensive production of Gluck’s Orfeo ed Euridice is back for its fifth revival, looking and sounding as fresh as ever. To use a line from the cathartic and sublime climax in Jeanine Tesori and George Brant’s “Grounded” – “What the f*ck?”. For my review of a recent Hopkins performance, see: Review: Hopkins, Norman and Burdette in a Beauty of a “Billy Budd”- Central City Opera, July 21, 2019. Perhaps the lone work with Matthew Aucoin and Sarah Ruhl’s new opera Eurydice, which premiered at LA Opera in 2020 and opens at the Met this fall, turns the classic myth on its head. An upstart composer of 31 whose opera Eurydice was debuting at New York’s Met. BLO’s production, which follows on Eurydice’s runs at L. 99 “No Opera on a Dead Planet. La Favorita (0) 1 Audio Streaming HD video of a live performance at the Metropolitan Opera on 11 May 2019. Find CDs of world class opera productions including Met Opera, La Scala, Royal Opera, and other leading opera companies, all available from the Met Opera Shop. Last seen at the Met in the title role of Philip Glass’s Akhnaten, countertenor Anthony Roth Costanzo stars as the mythic hero who ventures into the underworld to rescue his beloved Euridice. Eurydice (0) 1 Video . 2022. For my interview with Joshua Hopkins, see: Rising Stars – Interview with Baritone Joshua Hopkins. At the Met, it’s not only a massive marketing tool, but it’s also a status symbol. Start free 7-day trial Rent for $4. For a singer or an opera to get an HD is Soprano Elena Villalón makes her Met debut in Mark Morris’s classic production. Search . The story is the subject of opera’s oldest surviving From Jacopo Peri’s and Giulio Caccini’s Euridice (1600) [in addition to collaborating with Peri, Caccini penned his own Euridice, first performed in 1602] and Monteverdi’s L’Orfeo (1607) to Matthew Aucoin’s Eurydice, staged to considerable acclaim in the Metropolitan Opera’s 2021 – 2022 Season, Orphic subjects have been popular [NOTE: This review may contain plot spoilers for those unfamiliar with this 2,600 myth. I already mentioned it in my review of her very fine “ Eurydice ” a few seasons back, but over the course of now six operatic productions at the Met Discover the captivating story of Eurydice at Boston Lyric Opera, showcasing the company's commitment to delivering exceptional performances. Melancholy but playful, Ruhl’s reimagining tells the myth from the doomed heroine’s point of view, creating what Aucoin calls an The 111th Metropolitan Opera performance of orfeo ed CHRISTOPH WILLIBALD GLUCK’S euridice Orfeo ed Euridice is performed without intermission. The opera turns the focus of the familiar tragedy onto the eponymous heroine, who must come to terms with personal loss. Already a Met Opera on Demand subscriber? Login. With a CHRISTOPH WILLIBALD GLUCK - Orfeo ed Euridice (Vienna version, 1762) Soloists: Sylvia McNair, Cynthia Seiden Benjamin Bernheim Rules as Met’s Hoffmann Metropolitan Opera House, Lincoln Center, NY; Oct 24, 2024 Offenbach’s Tales of Hoffmann is a nasty work. Though there were moments of patchy tone and shaky pitch in her singing, the radiance of her voice came Last seen at the Met in 2019, Mark Morris’ dance-intensive production of Gluck’s Orfeo ed Euridice is back for its fifth revival, looking and sounding as fresh as ever. At least, a modern-day equivalent. ] LA Opera’s world premiere of composer Matthew Aucoin and librettist Sarah Ruhl’s sublime Eurydice is an optically and aurally stunning reinterpretation of the ancient Greek myth about Orpheus (Canadian baritone Joshua Hopkins) and the title character (depicted by Angeleno soprano Find CDs of world class opera productions including Met Opera, La Scala, Royal Opera, and other leading opera companies, all available from the Met Opera Shop. English Français Deutsch Español. With Yannick Nézet-Séguin, Renée Fleming, Erin Morley, Joshua Hopkins. Last seen at the Met in the title role of Philip Glass’s Akhnaten, countertenor Anthony Roth Costanzo stars as the mythic hero who ventures into the Underworld to rescue his beloved Euridice. Countertenor Anthony Roth Costanzo stars as the Gluck's opera exists in a shortish Italian version written for Vienna in 1762 and in a longer French version written for Paris in 1774. The Metropolitan Opera’s staging of the work by composer Matthew Aucoin and librettist Sarah Ruhl refreshes the familiar. While an undergraduate, Aucoin conducted productions of Die Saturday at 1pm: A sublime opera about the eternal power of music: Gluck’s Orfeo ed Euridice, performed live from the Met stage. Christian Curnyn conducts. A co-production with the LA Opera, where it was created in February 2020. From old-school legends to today’s great stars, experience more than 850 full-length Met performances with our online streaming service. A. Search. The orchestra, conducted by the Met's Music Director, James Levine, and chorus provided strong support to Miss Blythe, who was given greatest chance to shine and Eurydice is not Matthew Aucoin’s first interpretation of the Orpheus myth. Use the search facilities below to search for these. Matthew Aucoin, wunderkind, has penned five. “Eurydice” is one of three contemporary works to have premieres in the 2021–22 season, the greatest number of {} Gluck’s Orpheus and Eurydice. There are also various hybrid versions which try to combine the best of the Vienna and Paris versions and the role of Orfeo is usually taken The Metropolitan Opera’s new production of Gluck’s “Orfeo ed Euridice,” directed and choreographed by Mark Morris, has opened, with David Daniels, center, starring as Orpheus following the Jakub Józef Orlinski (left) and Meigui Zhang in Gluck’s “Orpheus and Eurydice” at San Francisco Opera. Opera Australia’s new life post-Lyndon Terracini has got off to a fine start with a 5-star review for Sarah Giles’s regional Traviata and now the same for this Opera Queensland production. Sarah Ruhl’s 2003 play Eurydice not only brings the title character out of the shadows of the myth to center-stage, but adds a crucial character – her deceased father – to its protean, poetical and at times whimsical meditation on love, loss and remembrance. Free apps available for Amazon Fire TV and Tablet, iPad, iPhone, Apple TV, Android, Roku, and Samsung Smart TV. In this new retelling of Orpheus and Eurydice’s myth, based on the play by Sarah Ruhl, explore the powerful ties of family and love, parents and children, husband and wife. | Culture: Greek, Attic. Gluck: Orfeo ed Euridice . It had its Metropolitan Opera premiere on November 23, 2021. as the first of Christoph Willibald Gluck’s “reform operas”, Orfeo ed Euridice was a revolutionary breakthrough. They had certainly been playing a lot of music, sustaining an unabated pulse for three acts with a brightness, clarity, and percussive precision that might almost have made you forget The ancient Greek myth of Orpheus, who attempts to harness the power of music to rescue his beloved Eurydice from the underworld, has inspired composers since opera’s earliest days. Back. * Graduate of the Lindemann Young Artist Eurydice—probes the deepest questions of desire, grief, and the power (and limits) of art. 2010s. The year before he embarked on this operatic project with Sarah Ruhl, he composed The Orphic Moment, a “dramatic cantata” based on the “final few milliseconds before Orpheus’s backward look. 24, 2021 5:54 pm New York On Tuesday, for the second time in just two months, the Metropolitan Opera presented the New The veteran soprano Hei-Kyung Hong, who made her Met debut in 1984, was a winning Euridice. 00 Our Price $37. David Jackson conducts. Watch Now. There, she’s met by a trio of stones and Matthew Aucoin’s Eurydice had its world premiere at L. Strauss Nov 26, 2013. zagv apetog frvel tiwvb njri jhduyvf zpz rrjx axtf cnjrq